ORSIAD Journal: Can you please tell us how it all started?
Bartholomäus Traubeck: I don’t actually remember, but I remember that I had the Jurassic Five record Quality Control in my collection. It has a tone arm on a tree stump as a back-cover. Maybe that image just stuck to my brain. At some point in 2009 I was playing around with the idea again, building prototypes in software only. But I thought it would be more interesting to have an actual machine to make the music, so in 2010, I applied for the Award for Media Arts of Salzburg and got financial support for the idea from them, which made experimenting with more expensive hardware a lot easier. Then in 2011 it was finally finished.

https://vimeo.com/30501143
ORSIAD Journal: How do you describe your music?
Bartholomäus Traubeck : I would say my approach in general is very process-based, algorithmically in nature and with a strong focus on aleatoric music.
ORSIAD Journal: What are your future projects?
Bartholomäus Traubeck: At the moment I mostly try to find different ways to base musical compositions on natural phenomena through machines that analyses and interpret data. Right now I am working a lot with feedback loops through materials and instruments like in “two axes in a forest”.
